Friday, February 19, 2021


In Japanese, a "salaryman" is a white collar office worker employed in any stable corporate slave job; it isn't a specific profession, but more like a pencil-pusher in a desk job kinda thing, typically seen wearing suit, tie, and suitcase. It's katakanized sarariiman サラリーマン, also romanized sararīman.

Sometimes, it's abbreviated to riiman リーマン.

In manga and anime, a salaryman is archetypically a typical, common, average, generic Japanese adult man, who tends to have a non-confrontational personality—non-adventurous, weak-willed and servile, a pushover—often working overtime to the death at some exploitative company, and conforming strictly to the formalities of an extremely vertical organizational hierarchy by respecting the authority of his superiors.

Inuyashiki Ichirou 犬屋敷壱郎, example of salaryman.
Character: Inuyashiki Ichirou 犬屋敷壱郎
Anime: Inuyashiki いぬやしき (Episode 1)


There are two ways the term salaryman is used: in the literal way, and in the typical way, but before we talk about that, it's important to note that salaryman isn't an English word.

Nobody uses "salaryman" in English, because it's a Japanese word that happens to be made out of an English phrase, this is called a wasei-eigo 和製英語, specifically, we're talking about sararii-man サラリーマン, which is a katakanization of the English phrase "salary man."

In the literal way, any man who receives a salary is a salaryman in Japanese.

  • kyuuryou
    Salary. A fixed amount of money paid for a fixed amount of hours worked at fixed intervals, e.g. weekly salary for 40 hours of work, working 5 days a week, 8 hours per day.
    • kyuuryou-otoko
      "Salary man" in Japanese. Not an actual term, but you may see it in wordplay.

In this sense, a salaryman is someone who sells their time for a company in return for compensation. Some things that wouldn't fit this definition include:

  • kabu

    Stocks. Shares. (people whose income comes from stocks aren't salaryman.)
  • jiyuugyou
    Self-employment. (if you work for yourself, your salary and work hours are also determined by yourself, so it's a pretty different thing.)
    • furii
    • furiiransaa
      Freelancer. Someone who sells their work for companies without having a full-time job contract with them. The freelancer has more independence and "freedom" than the salaryman shackled to the company, but on the other hand their income depends on their ability to find clients, and as such they need to have administrative and marketing skills on top of their own craft skills.
  • mizu-shoubai
    "Water business." An occupation in which income depends on one's popularity, and as such is unstable, typically referring to nighttime businesses, hostesses in a kyabakura キャバクラ, "hostess bar."
  • mushoku da
    To be unemployed. To not have a job or occupation.
    • niito
      Not in Education, Employment, or Training.
      Someone who isn't learning a craft and isn't working a craft, in other words, someone who is doing nothing to contribute to society. Typically doesn't refer to people who have retired, more like young adults who graduated but aren't in the workforce.
      • eriito niito
        Elite NEET. A NEET that's somehow "elite," as in coming from a rich family, or having worked in a high-paying job and quitting the company to become a NEET.
    • shuushoku suru
      To look for a job.
      • shuushoku katsudou
        Job-hunting activity. The act of searching for a job.
      • shuukatsu
  • sengyou shufu
    Househusband. Who stays at home while his wife works the job that pays the bills.

With exceptions such as the above, basically everyone would be a salaryman: from salaried cashiers at convenience stores, to salaried doctors at hospitals, to salaried CEOs and the president of a nation, who also receives a salary.

There's also no age limit. You could become a salaryman after graduating from middle school so long as you get a a salaried job.

Clearly this is too broad of a definition compared to what comes up when you search for "salaryman" on the internet. The way the term is typically used in practice doesn't mean just a man who receives a salary.

僕はライオン ごく普通のサラリーマンです ギャーッライオン怖いいいあああああ
Manga: Africa no Salaryman, アフリカのサラリーマン (Chapter 2, アフリカの痴漢)
  • boku wa Raion
    I'm Lion.
  • goku futsuu no sarariiman desu
    [I'm] a very ordinary salaryman.
  • gyaa' raion kowaiiiaaaaa
    *shriek* a lion, scaryyyyyyaaahhh.

In the typical way, a salaryman is a man employed in a corporate office job, partaking in the often soul-killing and occasionally also body-killing corporate culture, dealing with petty office politics, harassment from one's superiors, obnoxious and incompetent coworkers, all for that sweet stable income.

  • kaisha
    Company. (in which we work.)
    • Not to be confused with the semordnilap:
    • shakai
      Society. (in which we live.)
    • Or with nakama 仲間 and aite 相手, which may mean "companion" sometimes.
    • shakaijin
      "Society person." (literally.)
      A full-fledged member of the society. An adult who works some job to contribute to society.
    • kaishain
      Company member. Company employee.

Once again, it isn't a specific occupation, but a broad term for various sorts of desk jobs and clerical jobs done in private companies, including managers, secretaries, sales strategists, bookkeepers, and all sorts of administrative and business-related office work.

Example of salaryman characters in an office.
Anime: Kengan Ashura ケンガンアシュラ (Episode 1)
  • jimusho
    Office (place).
  • jimuin
    Office member. Staff.

One could translate salaryman to English as:

  • Pencil-pushers.
  • Desk jobs.
  • White-collar jobs.
  • Corporate drones.

And so on.

Typically, it involves dealing with potential business clients over the phone or in person, and filling forms and documents by hand or in computer, making copies of them, faxing them or sending them by email, etc. That's vaguely what's common about salaryman jobs.

This is why the common image of a salaryman is a man in a business suit with a suitcase full of business documents. It doesn't really matter if he's selling kitchen knives to housewives or making deals for international projects, so long as he's doing so for a company he's a salaryman.

Problematically, this usage typically excludes a very similar type of job:

  • koumuin
    Government employee. Public worker. Civil servant.
    • chihou-koumuin
      Regional civil servant. City civil servant.
    • kokka koumuin
      National civil servant. Federal civil servant, if Japan was a federation.

There are various types of koumuin: public-school teachers, police officers, firemen, etc., but these have nothing to do with salaryman.

The type we're talking about wear business suits, they're the ones doing administrative jobs in government offices, dealing with bureaucracy, helping the random citizen navigate through the government forms and facilities required to interact with the government, and so on.

This sort of koumuin isn't called a salaryman despite its striking resemblance with the salaryman.

Example of "regional civil employees," chihou-koumuin 地方公務員.
Left: Miyoshi Saya 三好紗耶
Middle: Yamagami Lucy Kimiko Akie Airi Shiori Rin'ne Yoshiho Chihoko Ayano Fumika Chitose Sanae Mikiko Ichika Yukino Reina Eri Ai Tamiko Chikage Emilia Julia Shizue Erina Chisa Yumeka Natsuki Ranran Rieko Setsuri Chikako Azumi... (rest abbreviated)
Right: Hasebe Yutaka 長谷部豊
Anime: Servant x Service, サーバント×サービス (Episode 1)
  • Context: there isn't a single salaryman in this picture, just chihou-koumuin.
  • suutsu
    Suit. (like the one you wear.)
  • nekutai

Although this is sort of pedantic, there's a fundamental difference between the average salaryman and any public worker. A salaryman works for a private enterprise, which in Japanese is confusingly termed:

  • minkan-kigyou
    "Civil enterprise." As in owned by a "civilian," minkanjin 民間人.
    Private enterprise.

A private enterprise is an investment that exists to provide profit for its stockholders. A capitalist invests money to hire employees to get an enterprise running to make more money. As with all investments, sometimes they don't go as planned, and there's no profit, which means employees get fired.

  • kubi ni naru
    To become a head. (literally.)
    To have one's head cut. To be decapitated. (execution method.)
    To be fired from one's job.
    • kubi

      Neck. (normally.)
      Head. (in some cases.)

This can happen for multiple reasons.

  • tousan
  • risutora
    • risutorakuchuaringu
      "Restructuring." When a company makes changes to its structure in order to become more profitable. These changes may involve firing a lot of people, hiring a lot of new people, changing management, policies, etc.

A salaryman can always lose his job for a reason such as the above, but it's unlikely for the same thing to happen to a public employee, simply because it's unlikely for a government to go bankrupt and start firing everybody.

In this sense, public employees enjoy a job stability that salaryman do not have.

  • {antei shita} shigoto
    A job [that] {was stabilized}.
    A stable job.

Typically, public employees receive consistent wage increases based on the amount of years they've worked for the government. If you stick to the job, it's certain you'll receive a salary higher than what you started with.

In private enterprises, this doesn't necessarily happen, but it's relatively easier to earn promotions and bonuses based on your abilities and what results you're capable of delivering, regardless of how long you've worked for the company.

Both sorts of occupations have merits and demerits that attract different sorts of people.

In the end, however, the things you can call salaryman and those you can't just seem kind of arbitrary and vague all around.


A female salaryman is called:

Kabakura Tarou 樺倉太郎, Nifuji Hirotaka 二藤宏高, Momose Narumi 桃瀬成海, Koyanagi Hanako 小柳花子, examples of salaryman and OL characters.
Leftmost salaryman: Kabakura Tarou 樺倉太郎
Left salaryman: Nifuji Hirotaka 二藤宏高
Right OL: Momose Narumi 桃瀬成海
Rightmost OL: Koyanagi Hanako 小柳花子
Anime: Wotaku ni Koi wa Muzukashii ヲタクに恋は難しい (Episode 1)

When the term salaryman started being used, it wasn't normal for women to have office jobs, so anyone with a salaryman job would have to be also a man.

When women started getting office jobs, other terms started being used to refer to them specifically, like BG, which's short for business girl, and even salary girl. However, OL was the term that stuck. if a woman has the same job a salaryman would have, they're said to be an OL.

See the article about OL for details.

In the western world, similar stuff happened, with people normally associating a woman working in an office job with a very specific profession:

  • hisho

Not all secretaries are women, but there's a sexist stereotype that a secretary would be a woman, and if a woman works in an office, she'd probably be a secretary, so, effectively, "secretary" becomes kind of synonymous with "office lady" in certain cases.

In particular, tropes, jokes and fetishism surrounding "hot secretaries" in English end up translating to OL in Japanese and vice-versa.

Series that feature both men and women in a workplace tend to develop into romance:

  • sha-nai ren'ai
    Romance inside a company.
    • shanai ren'ai kinshi
      Romance inside the company [is] forbidden. Isn't allowed.
      Some companies have in place policies forbidding employees to have romantic relationships with other employees, to avoid the development of all sorts of non-profitable situations in the workplace.
  • shokuba ren'ai
    Romance at workplace.
Ookami 大上, Wolfgang, and Retsuko 烈子, example of a salaryman using a kabedon 壁ドン on an OL.
Left: Ookami 大上; Wolfgang
Right: Retsuko 烈子
Anime: Aggressive Retsuko, アグレッシブ烈子 (2016) (Episode 32)

You'll also see terms like these thrown around in such series:

  • seku-hara
  • sekusharu harasumento
    Sexual harassment.
  • uttaeru
    To sue [someone]. To take [someone] to court.


In manga, anime, and other fiction, the salaryman is typically involved in various tropes that are derived from Japanese work culture. For reference, I'll list them here.

Superiors and Inferiors

Traditionally, Japanese society has had a strongly vertical hierarchy, and although many aspects of it are thought of as archaic in modern Japan, it's still a very relevant concept, specially inside companies and when doing business with people.

  • jouge shakai
    Vertical society.
  • jouge
    Up and down. Vertical.
  • ue

    Up. Above.
    The top of something.
    One's superiors.
    • me-ue
      "Eye above." One's superiors, someone you look up at.
    • joushi
      Superior (in an organization). One's boss, manager, chief, etc.
  • shita

    Below. Under.
    The bottom of something.
    One's inferiors.
    • me-shita
      "Eye below." One's inferior, someone you look down at.
    • buka
      Inferior (in an organization). One's subordinate.

Your boss is obviously your superior. Everyone says that. But nobody says, in English, that the people "under" a boss are the "inferiors" of the boss. At best you say "underling." Normally you'd say "subordinate," which is literally below (sub) in order, in rank.

Regardless of word, your boss being "above" you logically makes you "under" them, just like servants to their masters, retainers to their lords, dogs to their owners, and so on.

  • gekokujou
    Inferiors supplanting superiors.
    Refers to situations in which someone with less power revolts against someone with greater power.
    Also refers to a type of seme/uke relationship in which the uke is superior to, and typically has authority over, the seme, which is opposite from the norm.

Although not that extreme in practice, there are some shenanigans that are observed when people of different social positions interact, which we'll see a bit more in detail later.

Note that one's boss being above someone doesn't mean they're above everyone, after all:

  • ue niwa ue ga aru
    To "up," there's "up." (literally.)
    To someone who's above [you], there's someone who's above [them].
    There's always a bigger fish, i.e. to a fish bigger than this, there's a fish bigger than it.
  • chuukan kanri-shoku
    Middle management job. Someone's a manager, above some employees, but who themselves have a manager, i.e. to your manager, there's a manager.
もっと上の方でワケありの人物かもしれんぞ今井君・・・・・・ もっと上って社長・・・・・・いや 会長・・・
Manga: Salaryman Kintarou, サラリーマン金太郎 (Chapter 1, 金太郎、上京)
  • Context: someone that doesn't seem qualified to be a salaryman joins a company, bewildering other employees.
  • motto ue no kata de wake ari no jinbutsu kamoshiren zo Imai-kun......
    Imai-kun, it could be that [he's] a person [connected] to someone more above.
    • wake ga aru
      To have some circumstances, reasons. In this case, that something must have gone on between someone "move above" and the new employee, so he has a connection with them somehow.
    • ~kun
      Honorific used toward subordinates, a teacher's students, and boys.
  • motto ue tte shachou...... iya, kaichou...
    もっと上って社長・・・・・・いや 会長・・・
    "More above," [that means] the company president...... no, the chairman...

Seniors and Juniors

Besides one's position in a company's hierarchy, another type of vertical hierarchy is the one by seniority, which is how long someone has been working in that company.

  • senpai
    Senior, who came "before" you, saki 先.
  • kouhai
    Junior, who came "after" you, ato 後.
  • douhai
    Colleague who came at the "same" time as you, onaji 同じ.
    • douryou
      Coworker, regardless of seniority.
    • sarariiman doushi
      Both salaryman. (as in, "we're both salaryman, so let's solve this amicably," etc.)

You've probably heard of some of the words above in school anime, where ages are neatly arranged, and everything works fine, but companies aren't schools, so confusion tends to arise.

Everyone joins school at around the same age, so your senpai at school is likely older than you.

If you joined a company young, and stayed in that company forever, and everyone did the same, then organizational seniority and physical age seniority would match perfectly, just like schools, but that doesn't always happen.

Sometimes someone is fired from a company or the company bankrupts, etc., and they have to join a different company, in which they are a new hire, so they'll logically be the junior-est junior in the entire company, and everyone would be their senpai, just like Mash.

In that case, even a teenager who joined that comment a month before would be their "senior" in the company.

よろしくお願いします影山先輩。 え?あ・・・よろしくお願いします・・・ キンチョーしてきた・・・
Manga: Mob Psycho 100, Mobu Saiko Hyaku モブサイコ100 (Chapter 92, 将来を考える)
  • yoroshiku onegaishimasu, Kageyama-senpai.
    [Take care of me,] Kageyama-senpai.
    • Expression used when meeting someone, or entering care or supervision of someone else, in this case, their senpai.
  • e?
  • a... yoroshiku onegaishimasu...
    (the expression can also be used in response to itself.)
  • kinchoo shitekita...
    [Now I feel] nervous...
    • Relaxed pronunciation of:
    • kinchou
      Nervous. Anxious. Tense.
    • In this case, because he's now burdened with the responsibility of having a kouhai.

This is sometimes a plot point in office-related stories: when someone has a senior who's younger than them, the hierarchy gets murky: who is above whom? The kouhai may think he should be respected by age, but the senpai may believe he must be respected by his longer time in the company.

  • toshi

    Age. (of a person.)
  • toshiue
    "Age-above." Someone who's older than you.
    • {toshiue no} kouhai
      A junior [who] [is older}.
  • toshishita
    "Age-below." Someone who's younger than you.
    • {toshishita no} senpai
      A senior [who] {is younger}.

You can also end up in a situation where someone's manager is younger than they are, sometimes for the right reasons sometimes not, they could they simply have the skills for the job, or they only have that position because they're a relative of the company president, i.e. nepotism.

  • {toshishita no} joushi
    A superior [who] {is younger}.
  • namaiki da
    To be cocky, cheeky, impudent. (used by older characters toward younger characters who disregard what they say.)

Terms for Boss, Manager, Chief, Etc.

For reference, terms for the typical hierarchy of a company, ordered from top to bottom[会社の役職順位一覧 専務常務はどっちが偉い?次長と課長は? -, accessed 2020-12-11]:

  1. kaichou
    Chairman. The leader of an "association," kai 会. In a company, the highest in the hierarchy, although it's generally a ceremonial position and the person that actually gets stuff done is the company president.
    • ~chou
      Leader. Chief. President. Boss.
      • taichou
        Command officer, leader of a company of troops, a squad, an unit (military sense), etc.
      • kougeki-tai
        Attack forces. Attack unit. Attack squad.
    • kaisha no toppu
      [The person in] the top [position] of a company.
    • Not to be confused with:
    • saikou keiei sekinin-sha
      "Highest responsible for an operation." (literally.)
      Chief executive officer. CEO.
    • The term CEO isn't used very often in Japanese companies, compared to American companies.
    • Also, the CEO reports to a board of directors, which would put them hierarchically under the board members in a company, and certainly not a the top of the company.
  2. shachou
    Company president. The leader of a company.
    • shachou-ken-shii-ii-oo
      社長兼CEO (シー・イー・オー)
      Company president and CEO.
  3. fuku-shachou
    "Auxiliary company president." Executive vice-president.
  4. senmu-torishimari-yaku
    "Special-duty" managing director. Senior managing director. Executive managing director.
    Aids the company president in special matters.
  5. joumu-torishimari-yaku
    "Normal-duty" managing director.
    Manages the normal company activity.
  6. torishimari-yaku
    Board member. Company director.
    • tori-shimaru
      "To grab and tighter." (compound verb.)
      To control. To manage. To command.
    • ~yaku
      Role. E.g. "the role of directing a company" means company director.
    • torishimari-yaku-kai
      Board of directors. "Association of people in the role of directing a company."
      • This is the association which the kai-chou of a company is leader of.
  7. honbuchou
    General manager. Chief of the:
    • honbu
      Headquarters. "Main department."
  8. buchou
    Chief of a department.
    • Note: department, division, section, subsection, etc. are translations used interchangeably and often inconsistently with the terms for parts of a company below.[事業部、部、課は英語だと、Division、Department、Sectionのどれなのか教えて! - ネイティブイングリッシュ.biz, accessed 2020-12-11]
    • henshuu-bu
      Editorial department.
    • soumu-bu
      General affairs department.
    • keiri-bu
      Accounting department.
    • jinji-bu
      Human resources department. HR.
    • kouhou-bu
      Public relations department.
    • kenkyuu-bu
      Research department. (the R of R&D.)
    • kaihatsu-bu
      Development department. (the D of R&D.)
    • shizai-bu
      "Materials" department. (as in the procurement of.)
      Procurement department.
    • kikaku-bu
      Planning department.
    • The full job title for the chief of any such department would get bu 部 twice, e.g.:
      • soumu-bu-buchou
        The department-chief of the general-affairs-department.
    • Note: bu 部 also means "club," like of a school.
      • yakyuu-bu
        Baseball club.
      • bukatsu
        Club activities.
  9. ji-chou
    • ji~
      Next. (e.g. next in command.)
      • ji-nan
        Second-born son. The son born next after the first one.
  10. kachou
    Chief of a section.
    • Note: again, the translation doesn't matter, but ka 課 is smaller than bu 部, so as far as this article is concerned a company is divided into departments (bu 部) that are further divided into sections (ka 課).
    • You can replace basically any "department" term for a "section" term. That depends merely on how the company is structured.
    • soumu-ka
      General affairs section.
      • soumu-ka-kachou
        Section-chief of the general-affairs-section.
    • kigaku-ka
      Planning section.
  11. kakari-chou
    Subsection manager.
    • Note: ~kakari ~係, or ~gakari(rendaku 連濁), also means a task that someone is in charge of.
      • uketsuke
      • uketsuke-gakari
        The reception task, or the person in charge of it.
  12. shunin
    Chief [of a group]. A leader-like title given to an employee who has been in a company for a few years or so so they're the person with most responsibility in a group. Not really a managerial position, just a title, but may come with a bonus May make them the representative between a group of employees and their manager.
  13. ippan shain
    "General company-member." General employee. I.e., the rest.

Notably, Shima Kousaku 島耕作 is the salaryman protagonist of a decades-long manga series that's divided in multiple parts as he climbs the corporate ladder[dates from Kosaku Shima -, accessed 2020-12-24]:

  • 1983–1992: kachou.
  • 1992–2002: buchou.
  • 2002–2005: torishimariyaku.
  • 2005–2006: joumu.
  • 2006–2008: senmu.
  • 2008–2013: shachou.
  • 2013–2019: kaichou.
  • 2019-present: soudan-yaku 相談役, "consultant."

Business Language

A salaryman character tends to speak in a peculiar way compared to other characters, that's because, in Japanese, there's a way of speaking that's used toward one's superiors, and one that's not. They are:

  1. keigo
    Polite language, which includes desu です, ~masu ~ます.
  2. tameguchi
    Casual speech, which excludes desu and ~masu..

Of course, the situation is actually more complicated than that.

First off, there are a few different types of keigo, used in different sorts of situations.There are polite expressions that are used by servants toward their masters, but these are more common in maid and butler characters, or when an emperor or king character is involved, not salaryman stuff.

Second, keigo isn't only used toward one's superiors, it can also be used toward one's equals.

Generally speaking, keigo is a stiff way of speaking, it's morphologically longer, and may require you to be mindful of your choice of words, so some people would rather just not use it because it's a hassle, and only use it when it's necessary.

In particular, being close, familiar with someone, friends with them, may be reason enough to use tameguchi, but it depends on various factors.

In a casual context, it's assumed everyone would rather speak in tameguchi. If someone speaks in keigo, they would be speaking respectfully toward you, but you're speaking casually toward them, and you feel forced to speak respectfully, too, but you don't wanna, which is just awkward altogether.

With fiction, if a character speaks in keigo when it's not required, that typically means they're so used to speaking that way, it's just their default now and it's harder for them to speak in tameguchi.

For example, a character who was raised in a rich, traditional family, or a salaryman who speaks most of his time speaking in keigo, so he got used to it.

Most importantly is what happens when a character doesn't speak in keigo.

A subordinate who uses tameguchi toward their superiors is often at risk of being reprimanded, or just disliked in the company.

There's the question about which one to use toward a senior or superior who is younger than you in age.

Should a superior use keigo toward their subordinates? This is a tricky one. By not using keigo but demanding the subordinate to use it, there's an obvious "you speak respectfully to me, but not vice-versa" idea being asserted. The hierarchy is being reinforced.

Now, some people don't think that's nice, since it's like your manager doesn't think of you as their equal, but as someone inferior and not deserving of keigo, however, since the society is vertical, some people view that as being literally the case, and as such they feel it's justified.

For example, words like kimi, "you," sound condescending and may be avoided toward one's equals, but a manager may feel like they can just talk like that to their subordinates and juniors, simply because they are, in fact, "superior" to those people.

There are also external cases: when dealing with clients, be it business clients or event a customer in a convenient store, employees are generally supposed to keigo, not tameguchi, as that's just the basic manners about attending to customers and making business deals.

Of course, the same isn't actually demanded for the customer or client.

As such, the language used can indicate the power balance, the hierarchy between two characters, if a character considers themselves inferior to another or not, if they feel they have to speak respectfully or not, or if they simply don't know how to speak non-respectfully, perhaps because they're used to being low in the hierarchy, perhaps because they're just polite in general.


It's a trope that a salaryman is a weak-willed pushover, who's submissive to the orders of his superiors in a company, and just bends under pressure in general, even outside the company.

This stems mostly from salaryman jobs being stable jobs, safe income without much risk, as opposed to an adventurous job or something riskier. The salaryman isn't a risk-taker, and therefore he isn't confrontational either: running from fights and avoiding making enemies.

Kira Yoshikage 吉良吉影, example of salaryman.
Character: Kira Yoshikage 吉良吉影
Anime: JoJo no Kimyou na Bouken ジョジョの奇妙な冒険 - Part 4: Diamond is Unbreakable (Episode 21)
  • Context: My name is Kira Yoshikage. I'm 33 years old. My house is in the northeast section of Morioh, where all the villas are, and I am not married. I work as an employee for the Kame Yu department stores, and I get home every day by 8 PM at the latest. I don't smoke, but I occasionally drink. I'm in bed by 11 PM, and make sure I get eight hours of sleep, no matter what. After having a glass of warm milk and doing about twenty minutes of stretches before going to bed, I usually have no problems sleeping until morning. Just like a baby, I wake up without any fatigue or stress in the morning. I was told there were no issues at my last check-up. I'm trying to explain that I'm a person who wishes to live a very quiet life. I take care not to trouble myself with any enemies, like winning and losing, that would cause me to lose sleep at night. That is how I deal with society, and I know that is what brings me happiness. Although, if I were to fight I wouldn't lose to anyone.

Easy Target

The salaryman is a common target for petty gangs of robbers and harassers, who are often younger and stronger than the salaryman. There are various reasons for this.

First, it's a trope that evildoers target the common man, who's represented here by the salaryman.

Second, desk jobs don't require a lot of physical strength, so, muscle-wise, the salaryman is going to be weaker individually than someone whose job is moving stuff heavier than documents around.

Third, the submissive nature of the salaryman, plus the fact they may have a good-paying job and fat wallet, means he'd quickly surrender his wages to any gang of hoodlums that were to threaten him.

Fourth, in the unlikely even that he actually fought back, he'd come back to the company in bruises, or would end up in jail, or anything of sort that would cause trouble for the company and possibly get him fired, so he's screwed either way.

Cold Sweat Dispenser

As typical in manga, when a character is anxious, nervous, under pressure, and so on, they're drawn sweating. In the case of the salaryman, they're going to be sweating a ton of liquid whenever their job is on the line, which is pretty often.

The slightest amount of pressure and risk in any negotiation is enough to make a salaryman think: "I hope I don't get fired for this."

From Bowing to Shoe-Licking

A salaryman is often depicted prostrating himself and begging to stay on his job. This sort of prostrating is kind of part of Japanese culture, but it's a bit complicated to explain.

For starters, when things go wrong, and it's somebody's mistake, fault, responsibility, etc., they're going to get fired, so there'll be a lot of apologizing going on.

  • kureemu
    "Claim." A customer's complaint.
  • sekinin wo toru
    To take responsibility [for something].
  • moushi wake gozaimasen
    [I] have no excuse. (i.e. I assume the fault entirely.)

Now, speaking generally, the gesture done to apologize or thank in Japanese culture is lowering one's head, also known as "bowing." But nevermind the bow thing, lowering the head is the important part.

  • atama wo sageru
    "To lower the head." To bow.

The lower the head goes the deeper the apology or gratitude is supposed to be.

Normally, this stops at a simple bow. If you want to apologize or thank someone, you just bow. However, bowing is also used to greet people in Japan. So there's at least two bows. But one bow isn't a bow-y as the other bow. There's different levels of bowiness going on here.

.As far as terminology is concerned[お辞儀の深さはどう使い分ける? -]:

  1. eshaku
    Meeting bow. A 15 degree bow used to greet people.
  2. keirei
    "Respectful salutation." A 30 degree bow used to greet someone for the first time.
    • ojigi
      Bowing (gesture), typically refers to this.
  3. saikeirei
    Utmost respectful salutation. A 45 to 90 degree bow used to apologize or thank people.

Naturally, you won't be bowing harder than 90 degrees, lest you plant your face into the floor like an ostrich—except ostriches don't actually bury their heads into the sand, that's a myth, but I digress—so after 90 degrees you gotta lower yourself some other way.

That other way is by kneeling, of course, and then by planting your face into the floor, like an ostrich. This is called:

  • dogeza
    A type of prostration.
  • kono toori desu
    "[It] is this way." As you can see. Phrase used by someone prostrating themselves, to call attention to the fact that this is how far they're willing to go for the thing in question.

The infamous pose has been perfected to an art by the Japanese, or at least that's what the countless jokes about dogeza would lead you to think. It's basically a meme.

You can find information on how to do the dogeza properly, the proper form, pose, etc., variations of dogeza, sliding dogeza, all that sort of stuff.

An ad created for Nihongo Gokan no Jiten 日本語語感の辞典, "Japanese nuance dictionary," showing a salaryman apologizing in several ways, from "bowing," ojigi お辞儀, to dogeza 土下座, "prostration."
  • Context: an ad for Nihongo Gokan no Jiten 日本語語感の辞典, "Japanese nuance dictionary," depicting various apologetic gestures, the last (leftmost) one being the dogeza. The text aren't terms for the gestures, but words related to apology.
  • ayamaru
    To apologize. (title of the ad.)
  • shitsurei
    Excuse me. Pardon. Said when doing something that "lacks respect," literally, hence why you excuse yourself.
  • gomen
    Forgive me. Sorry.
  • sumanai
    Sorry. Literally in the sense of something done that "won't disappear," so it's a regrettable mistake or gratitude that won't be forgotten, but in practice it's used for all sorts of minor stuff.
  • moushi wake nai
    [I] have no excuse. (nai, arimasen, gozaimasen, mean the same thing.)
  • chinsha
    To explain yourself and apologize. Used when not only you're at fault, but you also have some explaining to do, e.g. to explain to a client why things have gone wrong, and apologize to them for things going wrong.
  • shazai
    Apology, in the sense of assuming fault, "crime," "sin," tsumi 罪.

According to Araragi Koyomi 阿良々木暦, there's a level of lowering your head beyond the dogeza, which is doing a handstand. There are other examples of ultra-dogeza apologies found in anime and jokes, like literally burying your head into the ground.

This image that a salaryman has to apologize to clients, apologize to his boss, apologize to everyone, kind of makes him some sort of pathetic pushover who can't stand his ground. Obviously this isn't true in real life, but many series satirize based on this idea.

お願いします!もう一度ここで働かせて下さい!! 何だお前 靴舐めるの下手になったなぁ 丸く収まってよかったね~
Manga: Saiki Kusuo no Psi-Nan, 斉木楠雄のΨ難 (Chapter 212, 父さんのΨ就職)
  • Context: Saiki Kuniharu 斉木國春 literally begs for his job back.
  • onegai shimasu! mou ichido koko de hatarakasete kudasai!!
    Please! Let [me] work here again!
    (a "let" causative sentence.)
  • nanda omae, {kutsu nameru} no heta ni natta naa
    何だお前 靴舐めるの下手になったなぁ
    [What's up with] you, [you suck at] {licking shoes} [now], uh.
    • nanda omae - emotive right-dislocation.
      • omae wa nanda?
        You are what? (literally.)
        What's up with you? What happened to you?
    • heta ni naru
      To become unskilled.
      To become worse at doing something.
      To suck at doing something now.
  • maruku osamatte yokatta ne~~
    [Good thing] [it] ended up well, huh~
    • marui
      Round. (literally.)
      Ending without trouble. Ending well.
    • osamaru
      To be contained. To fit in.
      For an issue to be settled.
    • ~te yokatta
      I'm glad that...
      It's a good thing that...


A salaryman is often overworked or plain miserable in his job. There are various reasons for this, but it basically boils down to the shoe-licking culture. Always trying to please one's boss means you'll eventually end up with an abusive boss in an abusive company that will exploit you.

  • burakku kigyou
    "Black enterprise." An exploitative enterprise, including sweatshops, unregulated factories, that sort of thing.
    • burakku kaisha
      "Black company." (same meaning.)
  • shachiku
    "Corporate [livestock]." Corporate drone. Corporate slave. Employees that are treated as nothing more than slaves by corporate, being overworked and underpaid.
    • kachiku
      Livestock. (cows, chickens, pigs, horses, etc. farm animals.)

Abusive Bosses

In extreme cases, a salaryman has a boss who criminally abuses them, and I mean criminally as in it's literally a crime to do that.

Between physical forms of punishment, verbal forms of abuse, and mental forms of harassment, there are things that bosses can do to employees that will get them sued in court. This is known as:

  • pawa-hara
  • pawaa harasumento
    Power harassment. Harassment done by a boss abusing their power, their authority, over their subordinates.

Of course, beating people is just wrong in general, but there are sorts of abuses that can only be performed by abusive bosses.

For example, maybe the salaryman's boss is vindictive, they just hate the salaryman, and decides to give the poor dude a task that's not supposed to be done by a single person, something too difficult, that takes too much effort, perhaps even impossible for him to do.

That could count as power harassment. I'm not a lawyer, so I don't know for sure. But this sort of thing exists.


It's extremely common for a salaryman to do overtime. From the unhealthy work culture of "don't leave the office until your boss does" to black companies squeezing the life out of those miserable corporate slaves, the overtime of a salaryman is more like normaltime, it's simply what's expected of them.

There are several terms for overtime in Japanese.

  • zangyou
    Overtime. (in general.)
  • jikan-gai roudou
    Labor outside-time. Overtime.
    Time worked over 40 hours weekly, 8 hours daily, as defined by law.
  • warimashi-chingin
    Extra pay. Overtime pay.
    By law, time worked over 8 hours daily must be paid at 125% rate.
  • shotei-jikan-gai roudou
    Labor outside prescribed hours.
    For example, if a company contracted you to work from 9 to 17, and you end up working until 18, that's outside the prescribed hours, even if it's inside the 8 hours day of work.

Of course, for the true salaryman, master of the art of shoe-licking, it's not enough to work overtime, you also have to work overtime for free, because why not, we must please our corporate overlords!

  • saabisu zangyou
    Free overtime. Working overtime without being paid. Also known as "wage theft."
    • sabi-zan
    • saabisu
      "Service." (literally.)
      In Japanese, something done free of charge in a business, used to make the business more attractive. From there, work done for free, and bonuses, extras given for free. The anime term fanservice also comes this, through otherwise it would mean celebrities doing stuff for free for their fans.

Death From Overwork

This article couldn't be complete without mentioning the number two cause of salaryman being reincarnated in an isekai:

  • karoushi
    Death from overwork.
    • sugiru
      To exceed.
    • karou
      Overwork. "Exceeded labor."
    • shinu
      To die.

Series about characters being reincarnated in another world—not transported, summoned, taking a nap and suddenly waking up in, or just randomly ending up in, etc. reincarnating, as in dying first, and then reincarnating, or getting reborn—typically follow these two starting templates:

  1. The main character gets hit by Truck-kun, dies, ends up in another world. Sometimes they get hit because they're trying to save someone else, and this self-sacrifice kinda becomes the excuse for "why in the world is a God reincarnating this dude, of all dudes?"
  2. The main character is an adult working a job in a company. A salaryman. Specifically, he's probably a programmer, or a video-game developer. Like, seriously. He has dark circles under his eyes from not sleeping enough, and then he dies from it.

Death from overwork is, obviously, a serious problem, in all sorts of ways, however, as far as anime is concerned, people only die from overwork when they're a salaryman about to get reincarnated in another world.

  • Some examples include:
  • In Slime Taoshite Sanbyaku-nen, Shiranai Uchi ni Level Max ni Nattemashita, スライム倒して300年、知らないうちにレベルMAXになってました, the protagonist dies from overwork and reincarnates in a fantasy world where they wish to do nothing all day.
  • In Death March Kara Hajimaru Isekai Kyousoukyoku, デスマーチからはじまる異世界狂想曲, which is literally the most mindbogglingly soulless series I've ever had the misfortune of encountering, utterly lacking any semblance of spirit, of inspiration, or of will, and just disgustingly railroading the main character into event after event by connecting them with nothing more than pure and absolute coincidence, also happens to be about a character who is working overtime and just... goes to a nap and wakes up in another world, like, seriously, he doesn't actually, canonically dies from overwork, he takes a nap, A NAP, the author couldn't even commit to killing the protagonist, why, kamisama, why!!!!
  • In Kami-tachi ni Hirowareta Otoko 神達に拾われた男, the main character is overworked and dies, saying he was certain that job would end up killing him, which leads one to believe he died from overwork, however, as a joke, it turns out he sneezed whiled sleeping, fell off the bed, hit his head, and died from brain hemorrhage instead.

It's unlikely for an important character in a series to just die from overwork. You may see some dark humor jokes about dying from overwork in some series, and maybe some of them die in the backstory. But just killing a character that way is unlikely..

After-Work Drinking

It's part of the Japanese work culture for a salaryman to go drink with his colleagues and/or bosses after a day of work. This is any single day, not just Fridays, we're talking about Thursdays and Mondays here, too.

  • nomikai
    "Drinking meeting." "Drinking party." To meet to drink [after work].
    • joshikai
      "Girls meeting." A no-boys allowed nomikai.
    • goukon
      Mixer. Typically a meeting between a group of guys and a group of girls, with the intent of finding a romantic partner. Although it may look similar, this is eating and drinking, not just drinking.
  • shigoto-gaeri ni nomi ni iku
    To go drink coming home from work.
  • shinboku wo fukameru tame
    In order to deepen the relationship [of work colleagues]. To deepen their friendship, etc.

If a shoe-licking salaryman does overtime for free, doesn't leave work until their boss does, and then has to accompany his boss to a nomikai after his shift is over, that means his work-life balance is more like work-work-work balance.

The salaryman's entire life ends up being about work, spending most of his time in a company, socializing mostly with the company's members, and having his life influenced by the company even outside the company.

No wonder this work culture gets criticized so much.

酒飲みてぇ ってわけで若林今日の寄り女子会すんぞ! ヒゲさんは来るんすか? 女子会だ ってことは来るんすか? 来ねぇよ 3人で予約とっとくぞー うっす 居酒屋 ホップステップ横丁 どうした若林!元気ないじゃん飲め飲め! 飲んでるっすよ 怒んなよー 今度また日下も呼べばいいだろー
Manga: Ojisan to Marshmallow, おじさんとマシュマロ (Volume 1, Page 54)
  • Context: Wakabayashi 若林 is in love with Hige 日下, who is a guy.
  • sake nomitee
    [I] want to drink alcohol.
  • tte wake de Wakabayashi kyou no yoru joshikai sunzo!
    [That's how it is, so] Wakabayashi, today's evening [we] will do a joshikai!
    • sunzo is a contraction of suru zo するぞ.
  • Hige-san wa kuru-n-su ka?
    Will Hige-san come?
    • kuru-n-su ka is a contraction of kuru no desu ka 来るのですか.
    • Wakabayashi contracts desu and masu to su, ssu. This is sometimes said to be a half-hearted type of keigo.
  • joshikai da
    It's a joshikai.
    • A "girls meeting" for drinking, and Hige is a guy.
  • tte koto wa kuru-n-su ka?
    [Which means] [he] will come?
  • konee yo
    [He] won't come!
    • konee is a contraction of konai 来ない.
  • san-nin de yoyaku tottoku zo~
    [I] will make a reservation for three people~.
    • tottoku is a contraction of totte-oku とっておく.
  • ussu
  • izakaya
    (a sort of Japanese bar-restaurant serving drinks, food, and snacks.)
  • hoppu steppu yokochou
    Hop Step Alley.
  • doushita Wakabayashi! genki nai jan nome nome!
    [What's wrong] Wakabayashi! [You're so quiet], drink drink!
    • genki 元気 is lively, energetic, so genki nai is the opposite: seeming down, being quiet, etc.
  • nonderu ssu yo
    [I] am drinking.
    • Same as nonde-imasu yo 飲んでいますよ.
  • okonna yoo
    Don't get angry~
    • Contraction of okoru na 起こる.
  • kondo mata Hige mo yobeba ii daroo
    Next time [we just have to] call Hige, too, right?

Party Tricks

In a nomikai sometimes someone has to do a party "trick," gei 芸. These tend to be silly, dumb stuff, and some more serious characters may just not be good at them at all.

Drunkard in Business Suit

Sometimes, you'll see a a completely drunk, disheveled salaryman walking the streets at night coming back home, with a bottle of alcohol in hand, babbling complaints about his superiors and stuff like that.

Necktie Around Head

Sometimes, you'll see a salaryman after-work-partying with his necktie wrapped around his head like a headband.

This isn't specific to Japan, by the way.

Example of drunk character with a necktie wrapped around his head like a headband.
Anime: Hinamatsuri ヒナまつり (Episode 2)

After having to wear a hot suit for long hours, be it for work or even for some other sort of ceremony, one would like to undo the necktie and party, so there's this custom of wearing it as a headband instead to look silly while having fun.

Passing Out on the Street

From the combination of being exhausted from work and drunk from beer, sometimes a salaryman will pass out on the street on his way home, and just sleep there.

Bar Fights

Although unlikely, it's possible for a salaryman to get involved in a fight in a bar, mostly because they're often in bars.

Commuting by Train

The common way for a salaryman to commute to work, as well as for students to commute to school, is by train. Japan is known for its excellent public transportation system, and for its trains, its all sorts of trains.

  • ressha
    Railway train. Transports passengers or goods.
  • densha
    Electric train.
  • shinkansen
    "New main line." Known as the "bullet train" in English, this is a Japanese network of high-speed "railway lines," senro 線路.

Passing Out on the Train

Just as a salaryman may pass out on the street after a tiring day of work and drinking, they may pass out on the train on his way back home, too.

Groping Female Passengers

A common scenario involving a salaryman is the act of groping female passengers on the train. This is known as:

  • chikan
    Molestation. Groping. Obscene behavior done towards a woman.
    Pervert. Molester. Groper.
    "Foolish man." (literally.)

The victim of a train molester can be anyone, if we were talking about any train, however, the salaryman doesn't board just any train, he commutes by train, taking the morning train to work and the evening train home, during rush hours.

As a consequence, the victims of a salaryman molester tend to be commuting, too: they're OLs or JKs, that is, "high school girls," joshi-kousei 女子高生.

In anime, they're usually high school girls, because most anime takes place in high school, so the victim is either the protagonist or a classmate of the protagonist, and the salaryman is a random background character that only exists for that one groping scene.

Regarding this there are all sorts of tropes. For example:

The obvious consequences of "groping" someone on the train, chikan 痴漢.
Anime: Africa no Salaryman, アフリカのサラリーマン (Episode 1)
  • If a salaryman is caught touching someone's butt, they'll probably end up in court and have to pay settlement money.
    • Sometimes, a woman with ill-intentions may falsely accuse a salaryman of groping in order to get that settlement money, by the way.
  • Naturally, he's going to get fired from this. His money is gone. His job is gone. His family, wife and children, are probably gone too, because he's wife is totally going to divorce him for this kind of thing.
  • In other words: his life is over. Or at least that's a trope surrounding this sort of scenario.
Sanematsu-san 実松さん gets falsely accused of touching a woman in a train inappropriately. Afterwards, he keeps his hands as far away from women as possible when commuting by train.
Anime: Osomatsu-san おそ松さん (Episode 13)
  • Context: after being falsely accused of groping, Sanematsu-san 実松さん becomes overly anxious in trains and is seen keeping his hands as far as possible for any butts.
Ootori Miou 鳳美煌 gets arrested for waving a gun in a train as she tried to save Sonokawa Momoka 園川モモカ from a random molester, example of a chikan 痴漢 trope.
Left: random molester
Middle: Ootori Miou 鳳美煌
Right: Sonokawa Momoka 園川モモカ
Anime: Sabage-bu'! さばげぶっ! (Episode 1)
  • Context: Momoka was being groped in the train by a random salaryman, until Miou intervened, and pointed her trusty pair of pistols, desert eagles, into his face, inside the passenger train, which resulted in the station employees arresting her instead of the groper for waving guns around.

Generic Adult Male Archetype

Sometimes, a salaryman is a salaryman because they're an adult male and that's it. It's the adult counterpart of a student. If you have a random male character that's an adult, they're a salaryman, if they aren't an adult, they're a student.

That's because the alternative is more complex.

If you have a character that's of high school age and yet isn't a high school student, that would be unusual. Not impossible, simply unusual. And unusual is interesting for the audience, so the author would be forced to elaborate that unusual thing in detail.

Why is the character not in high school? What do they do all day every day? Do they want to go to high school? And so on.

Perhaps none of this information matters to the story—what the author really wants to tell is something else entirely—so it's easier to just say they go to high school like everybody else of their age and skip that part of the character's profile.

With adults school is no longer an option. It would be unusual for someone that should have graduated already to be going to school.

It would also be unusual for them to be unemployed. Why doesn't he have a job like everyone else?

However, if you gave the character a cooler profession like calligraphist or even a more specific office profession like negative assets manager you'd be forced to make this information relevant in the story somehow to justify the fact you included such information in first place.

Since the specifics of the job don't matter, what matters is that the character has a job at all, it's easier for the author to simply say they're a salaryman so everyone can just ignore that part of their profile altogether.

Note that most series that feature student characters aren't about studying, just like most series that feature salaryman characters aren't about working in an office, but merely make use of various office-related events, like copying or emailing documents, dealing with clients, talking to bosses, etc.

  • In Servant x Service, a protagonist works at one of the information counters in a government office together with a senior, but the senior notes that, although many people come by the counter, they never require the service of that specific counter, so she can't teach the protagonist what her job is supposed to be like.

By contrast, series about cool jobs are about themselves, e.g. if the series is about a demon slayer, it's about demon slaying.

Since most series have mostly high school age characters, sometimes a business suit is added to a random character to convey they're supposed be an adult as opposed to just another kid. Similarly, sometimes a long gray beard is added instead to convey they're of old age.

A character only ends up being a generic salaryman instead of a generic student if there's some reason for them to be an adult, given everything else is basically the same, which means a salaryman is only chosen if:

  • It's one of those "we need an adult" situations.
  • It's one of those "we can't trust adults" situations.
  • The character needs to have money a student wouldn't have.
  • The character needs to have life experience a student wouldn't have.
  • For sexual reasons the character has to be an adult.

As for the last one, that's possibly why a train molester ends up being random salaryman in anime.

Another relevant scenario is "sugaring," papa-katsu パパ活. A practice in which an older man, called a sugar "daddy," papa パパ, pays a younger woman to date with him.

An usually criminal variant of this is called enjo-kousai 援助交際, in which the younger woman is actually a high school girl, and possibly underage. In either case the older man tends to be drawn as a salaryman because you just need a random adult man with a job for this role.

Anime: Puni Puni☆Poemii ぷにぷに☆ぽえみぃ (Episode 2)

Becoming a Salaryman

Sometimes, a character who isn't a salaryman becomes one, and that's what the story is about.

Why a salaryman, specifically? Because being a salaryman is boring.

I mean, what would you rather do? Work like a slave to make some rich man richer, or play video-games all day? Alternatively, how about hanging around with your gang picking fights all across Japan instead of thinking about your future all day? That sounds pretty neat, too.

As such, you have two types of characters that are the very opposite of a salaryman:

  1. The NEET, who could be saying to be doing nothing with his life, not studying or learning a skill, or even working a job and earning money. Typically these are also hikikomori, locking themselves in their rooms or basements all day. And also otaku, spending all day gaming and watching anime,
  2. The delinquent, who hates rules and obeying authority, who doesn't even wear his school uniform right, so there's no way he would wear a business suit properly and remember all those troublesome business formalities that come with an office job.

These types become a salaryman in order to straighten their lives, in order to become a proper, functioning member of society.

Naturally, nobody is really asking for any of this, like, we live in a society, so as long you get a job, any job, society benefits, it doesn't really need to be a salaryman.

NEETs spend a lot of time in the computer so they often get portrayed as computer geniuses and hackers and that sort of stuff, so they could just get a job in that area instead.

The point of turning an useless-as-far-as-society-is-concerned character into a salaryman is the striking difference between their behavior trying to exist outside of society and its rules and them trying to adapt and fit into society.

In comedy series, sometimes characters are only temporarily made into a salaryman, or even just a salaried worker, as a joke to show them being forced to conform with rules.

The same thing tends to happen with non-adult characters who have never gone to school or conformed to rules, often for ridiculous, extraordinary reasons, except these are thrown into school instead of thrown into an office job.


Sometimes, a salaryman character gets sick and tired of being a salaryman and gives up on that boring, soulless, greed-serving, exploitative life in order to do something cooler and more fulfilling.

  • datsu-sara
    • dassuru
      To escape. (the life of a salaryman.)

There are countless examples of this, mostly because the adult audience who are salaryman would totally relate with getting out of the profession to do something else.

In many isekai anime, the whole point of a salaryman reincarnating is leaving your boring company (and life) behind and starting a new one in a fantasy world. Every similar setting ends up also being wish-fulfillment fantasy.

This isn't exclusive of Japan or anime. Western movies like Matrix and Wanted also feature a protagonist who's a random employee in an office and gets their boring lives turned upside down when something happens.

脱サラ呪術師の七海君でーす その言い方やめて下さい
Manga: Jujutsu Kaisen 呪術廻戦 (Chapter 19, 幼魚と逆罰)
  • Context: Gojou Satoru 五条悟 introduces Nanami Kento 七海建人, who's his junior.
  • datsu-sara jujutsushi no Nanami-kun deesu
    [He] is the ex-salaryman curse-technique-master Nanami-kun!
    • jujutsu 呪術 means literally "curse," noroi 呪い, "technique," jutsu 術, and ~shi ~師 is a suffix that means "master," as in someone who has mastered techniques in the study of something.
    • Normally jujutsushi would translate to "witch doctor" or "shaman," who use curses on people, like straw dolls, but in this series the translation "sorcerer" is also used, even though a magic sorcerer would be a majutsushi 魔術師 instead.
  • sono iikata yamete kudasai
    Please stop with that way-of-saying. (literally.)
    Please stop calling me that, introducing me like that, etc.
サラリーマンじゃなくて テメーらみてーなあからさまな悪役を一撃でぶっ飛ばすヒーローになりたかったんだよ
Manga: One Punch Man, Wanpanman ワンパンマン (Chapter 2, 蟹と就活)
  • Context: Saitama サイタマ isn't a even salaryman yet, he was searching for a salaryman job, doing job interviews, until he meets a monster that wants to murder children and he remembers what he really wanted to become.
  • sarariiman janakute, {{temee mitee na} {akarasama na} akuyaku wo ichigeki de buttobasu} hiiro ni naritakatta-n-da yo
    サラリーマンじゃなくて テメーらみてーなあからさまな悪役を一撃でぶっ飛ばすヒーローになりたかったんだよ
    Not a salaryman, [I] wanted to become a hero [that] {[sends flying] {blatantly} evil-guys {like you} with a single attack}.

3:7 Side-Parted Hairstyle

It's a trope that serious characters, characters that are trying to fit in society, will have a certain sort of neat-looking hairstyle called shichisan-wake 七三分け, in which the hair is parted 70% to one side, 30% to the other side.

  • san-wari
    Three tenths. 30%.

It looks like this:

Sir Nighteye サー・ナイトアイ, example of salaryman-esque character with shichisan-wake 七三分け hairstyle.
Character: Sir Nighteye サー・ナイトアイ
Anime: Boku no Hero Academia 僕のヒーローアカデミア (2019) (Episode 3)

It seems there was a time this sort of hairstyle was very common among the salaryman. I'm not sure if the hairstyle had this serious image in it before salaryman started having it, or if it got its image because salaryman had it. Either way, a 3-7 parted hairstyle got associated with seriousness.

  • majime
    Serious. Diligent.

Even characters that aren't salaryman wear it when they become serious members of society.

Example of shichi-san-wake 七三分け, a 3:7 parts hairstyle.
Left: Hasegawa Taizou 長谷川泰三
Right: Gintoki 銀時
Anime: Gintama 銀魂 (Episode 94)
  • Context: the completely useless old man Hasegawa Taizou is trying to become an useful member of society and get a job, which means, naturally, that he has to wear a suit and a 3:7 parted hairstyle to show that he means business.

You also may see this 3-7 thing used as a reference in other salaryman-related stuff.

  • In Jujutsu Kaisen 呪術廻戦, ex-salaryman Nanamin's power does critical damage to things if he hits them at a point 30% of their length.

Types of Salaryman Stories

For reference, some examples of types of stories involving salaryman main characters:

  1. Stories in which interesting things happen in office, involving the main character's coworkers.
    • Romance stories, romcoms, comedy stories, slice of life stories, which may be targeted at an adult audience, with the more adult setting that is an office workplace. Examples include:
    • Africa no Salaryman, アフリカのサラリーマン, which is full of adult jokes.
    • Agressive Retsuko, アグレッシブ烈子, slice of life, I guess.
    • Wotaku ni Koi wa Muzukashii ヲタクに恋は難しい, a romcom.
    • Ojisan to Marshmallow, おじさんとマシュマロ, a slice of life.
  2. Stories in which the main character stops being a salaryman because they're sick and tired of their dull office job.
    • Net-juu no Susume, ネト充のススメ, in which the protagonist, an OL, quits her job to become a NEET and play MMORPGs all day.
  3. Stories in which the protagonist is accidentally involved in some trouble that changes their life forever, and makes them stop being a salaryman.
    • One Punch Man, ワンパンマン, in which the protagonist was looking for his first salaryman job, until he fought a monster and decided to become a hero instead.
  4. Stories in which someone drags the salaryman out of their salaryman lives.
    • Kengan Ashura ケンガンアシュラ, in which the salaryman Yamashita Kazuo 山下一夫 is accidentally involved with some sort of underground fighting thing and ends up being forced to take a managerial role for a fighter.
      • As a college student parallel, the same thing happens in Killing Bites, キリングバイツ, in which the college student Nomoto Yuuya 野本裕也 also ends up being forced to manage a fighter for some bizarre underground fighting thing.
    • Black Lagoon, in which the salaryman Okajima Rokurou 岡島緑郎 is taken hostage by a gang, and ends up deciding to become a gang member instead of returning to his job.
  5. Stories in which the salaryman doesn't stop being a salaryman after the incident, but instead goes on working while keeping a huge secret.
    • Inuyashiki いぬやしき, in which the main character becomes some sort of robot after an encounter with some sort of UFO.
  6. Stories in which someone who had an abnormal lifestyle quits it to become a salaryman, and the plot is centered around them adjusting to normal life, or their coworkers adjusting to how out-of-place they are.
    • Salaryman Kintarou, サラリーマン金太郎, in which a high school dropout and feared leader of a bike gang that had thousand of members nationwide decides to become a salaryman to support his son after a promise to his late wife.
    • There are various stories that are more or less the same thing, without being exactly about a salaryman, like:
      • Violet Evergarden, ヴァイオレット・エヴァーガーデン, in which an emotionless ex-child soldier and double-amputee gets a job writing cards filled with feelings.
      • Doushirou degozaru 道士朗でござる, in which a Japanese high school student who lived in America was raised in a very traditional Japanese way, as in, like a samurai.
  7. Stories which are actually about the job of a salaryman. These never happen, because nobody would want to read a manga or watch an anime about working, except when it's an occupation that interests the anime audience, like:
    • Shirobako, in which the protagonist is a production assistant in a company that produces anime.

As mentioned previously, most salaryman stories aren't about what a salaryman does, because the job itself is generally boring, but about some cool, interesting stuff not really related to the salaryman job.

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  1. This is a fantastic and thoroughly researched piece, I applaud all those involved!!